Dabbs, Edith MitchellWorking in affiliation with the Associated Press, United Press International, and Religious News Service, she initiated weekly religious news-interview programs in several cities and wrote hundreds of scripts for radio and television spots.
Dabbs, James McBrideDabbs was also one of the South’s principal twentieth-century Christian churchmen and theologians, although he never claimed this distinction for himself. He certainly was the chief lay theologian of his denomination, the Presbyterian Church of the United States.
Dacus, Ida JaneDacus was an active professional and regularly attended meetings of the S.C. Teachers’ Association, the National Education Association, and the American Library Association. “Miss Ida,” as she was known to Winthrop scholars, endeared herself to her students.
Daise, Ron and Natalie DaiseRon Daise and Natalie Daise, his wife since 1985, have tirelessly performed the program Sea Island Montage, a multimedia theater performance that combines photographs, storytelling, song, and dance.
Dale, ThomasTo the merchants and planters of Charleston, Dale appeared as an embodiment of the virtues of civility: he was learned, witty, and sociable.
Daniel, BethDaniel has received many awards for her golfing prowess, including being selected as only the sixteenth member of the prestigious LPGA Hall of Fame in 1999.
Daniel, Charles EzraTo further attract industry, Daniel helped establish the State Development Board in 1945. Believing that South Carolina’s key industrial advantage was a union-free workforce, Daniel backed the state’s 1954 right-to-work law.
Daniel, William HenryTo promote tobacco culture, Daniel enlisted experienced leaf growers from North Carolina as “instructors.”
Daniels, David CarltonNear the end of his graduate program in 1992, Daniels declared himself a countertenor, a voice type most often associated with the castrati of the eighteenth century, although his sound is atypical of the modern countertenor’s male falsetto.
Dark CornerThe isolated hills and hollows of Dark Corner were a haven for Confederate deserters during the war and in succeeding decades for countless illicit whiskey distillers.
DarlingtonDarlington gained notoriety in the 1890s as the site of the so-called “Dispensary War,” which reflected the unpopularity of the state dispensary system in the Pee Dee region.
Darlington CountyDespite its notable industrial sector, agriculture dominated the way of life in Darlington. The long agricultural tradition in the county gave rise to the development of numerous heritage-wildlife preserves, parks, and gardens.
Darlington RacewayDarlington’s unique shape, coarse racing surface, and preferred racing line that runs dangerously close to the racetrack’s retaining wall make it one of the most challenging tracks on the circuit.
Daufuskie IslandDaufuskie Island planters raised indigo in the eighteenth century and Sea Island cotton during the antebellum period. After the Civil War, Daufuskie’s economy was based on cotton, lumber, and oysters.
Davenport, GuyDavenport considered himself a teacher foremost and his writings as “an extension of the classroom,” the creative component of a searching mind.
DavidThe Confederate torpedo boat David was a small, steam-driven, surface vessel armed with a pole-mounted explosive charge called a spar torpedo.
Davie, William RichardsonAn active member of the South Carolina Agricultural Society, Davie also assisted in negotiating the boundary dispute between North and South Carolina.
Davis, GaryAlthough he learned some of Walker’s repertoire, Davis crafted his own style and is considered to be a progenitor rather than a follower of the “Piedmont” blues sound that developed in the Southeast.
Davis, JamesDavis’s most significant public undertaking was his involvement in the campaign to establish a public lunatic asylum in Columbia.
Dawes, KwameIn collaboration with various visual artists, Dawes published in the following year Bruised Totem, a series of ekphrastic poems that respond to an exhibit from the Bareiss Family Collection of African Art.