Jazz Age (1919-1929)

Clark is credited with the creation in 1957 of the “citizenship school” model, which ultimately engaged thousands of ordinary people in literacy and political education throughout the South.

It was Charles Coker who brought modern industrial and managerial practice to the family-controlled business. He established an industrial research and development program, developed a dedicated sales staff, and emphasized long-range planning.

From the World War I era until his death, Coker became an agricultural evangelist, promoting diversification, improved farming methods, and his seeds through numerous speeches, articles, and personal visits.

In addition to writing novels, Coker reviewed books and published satirical poems in various newspapers, magazines, and anthologies. For some four decades she was deeply engaged in other efforts that defined her era’s literary and cultural life in South Carolina and the region.

Coker's mill and process had a significant influence on the future development of the southern pulp mill industry. In the years following, Coker expanded the firm as it supplied pulp and paper products throughout the country.

The CMFA was established as a partnership between the government and the community. It was the outgrowth of the late 19th-century Dertheck Music Club, whose members worked closely with government leaders to formalize the relationship between government and the private sector for promoting the arts.

Although revised several times until abandoned in 1698, the Fundamental Constitutions framed the colony as a social hierarchy, encouraging new settlement based on landownership and a provision for religious freedom.

In 1907 Cooke took a three-day federal civil service examination in Boston (blacks were not allowed to take the test in Washington, D.C.). He passed and was assigned to the office of the supervising architect at the United States Treasury Department, the first black man to be employed there.

Emulating the progressive policies of his predecessor, Cooper proposed an ambitious reform program, notably statewide compulsory public school attendance.

A man with broad zoological interests, Corrington began working on the then little-known herpetology (study of amphibians and reptiles) of the Columbia region, an area of considerable biological importance as a result of its location on the fall line between the Piedmont and the coastal plain.

Brown’s intense, shouting rhythm-and-blues vocal style remained rooted in gospel but was also distinguished by his unusual rolling of consonants.

The buildings designed by the Cunninghams were generally utilitarian and lack significant stylistic flourishes.

Working in affiliation with the Associated Press, United Press International, and Religious News Service, she initiated weekly religious news-interview programs in several cities and wrote hundreds of scripts for radio and television spots.

Dabbs was also one of the South’s principal twentieth-century Christian churchmen and theologians, although he never claimed this distinction for himself. He certainly was the chief lay theologian of his denomination, the Presbyterian Church of the United States.

Dacus was an active professional and regularly attended meetings of the S.C. Teachers’ Association, the National Education Association, and the American Library Association. “Miss Ida,” as she was known to Winthrop scholars, endeared herself to her students.

To further attract industry, Daniel helped establish the State Development Board in 1945. Believing that South Carolina’s key industrial advantage was a union-free workforce, Daniel backed the state’s 1954 right-to-work law.

The isolated hills and hollows of Dark Corner were a haven for Confederate deserters during the war and in succeeding decades for countless illicit whiskey distillers.

Davenport considered himself a teacher foremost and his writings as “an extension of the classroom,” the creative component of a searching mind.

Although he learned some of Walker’s repertoire, Davis crafted his own style and is considered to be a progenitor rather than a follower of the “Piedmont” blues sound that developed in the Southeast.

Forced to leave his native state, he later wrote the FBI that he fled South Carolina, “Not to escape justice, but to escape injustice.”